Choose the wood to build the table of your new guitar . Probably is the main important decision because on this depends the timbre of the instrument . Here is a table that will help you  ...

10000 color combinations available and other special effects and colors on request .
Colors are listed by category : natural colors , solid colors , transparent colors , metallic colors , colors flake and color burst .
Natural colors : transparent, shiny or matte , but colorless .
Solid colors : solid colors and are completely opaque
Transparent colors : glossy colors are leaving to see in a transparent colored wood below
Metallic colors : are glossy colors with a metallised base end .
Flake colors : glossy colors are always with a metal base but much more large grain compared to metallic.
Color burst : are glossy colors , shaded , two or more ' translucent colors.
 

All colors are diponibili version nitro or polyurethane .

Many other finishes and special effects are available on request

The other part of the sound is done from the back and from the sides , as well as aesthetic , complement and balance the sound of the soundboard. Do you have any doubts? see the table below ...

To learn more  follow this link ...

10000 color combinations available and other special effects and colors on request .
Colors are listed by category : natural colors , solid colors , transparent colors , metallic colors , colors flake and color burst .
Natural colors : transparent, shiny or matte , but colorless .
Solid colors : solid colors and are completely opaque
Transparent colors : glossy colors are leaving to see in a transparent colored wood below
Metallic colors : are glossy colors with a metallised base end .
Flake colors : glossy colors are always with a metal base but much more large grain compared to metallic.
Color burst : are glossy colors , shaded , two or more ' translucent colors.
 

All colors are diponibili version nitro or polyurethane .

Many other finishes and special effects are available on request

The decoration of the hole has an aesthetic function and to stiffen the hole itself. You can choose different designs and materials , or you can take part in a quote for a customized decoration .

Some decorations , such as those oval , are devoted particularly to a specific model of hole they can nevertheless be combined as desired .

The choice of the size and shape of the hole allows to vary the frequency response of the sound box .

In general a smaller sound hole lowers the frequency response favoring low frequencies , while a wider hole acts in the opposite manner.

The SoundPort born to give to the players a direct sound of the instrument and enhances sound projection below the ear of the musician . The sound port is opened and closed by a door made ​​of the same wood bands .

In ' the image is represented SoundPort closed .

The table below lists the frequency response of some woods used as a keyboard. Some keyboards like the dark wood are less vulnerable to wear,  other in  maple require greater care in the use .

Mahogany and maple guarantee maximum flexibility and stability and are therefore the best choice in most cases . You can still try other materials .

The copripaletta is a wood veneer , usually thick no more 'than 2mm , which is glued on the the pallet in order to embellish and strengthen it .

10000 color combinations available and other special effects and colors on request .
Colors are listed by category : natural colors , solid colors , transparent colors , metallic colors , colors flake and color burst .
Natural colors : transparent, shiny or matte , but colorless .
Solid colors : solid colors and are completely opaque
Transparent colors : glossy colors are leaving to see in a transparent colored wood below
Metallic colors : are glossy colors with a metallised base end .
Flake colors : glossy colors are always with a metal base but much more large grain compared to metallic.
Color burst : are glossy colors , shaded , two or more ' translucent colors.
 

All colors are diponibili version nitro or polyurethane .

Many other finishes and special effects are available on request

The scale length of the neck is in practice the distance between the nut and bridge of the instrument . In a short-scale instrument keys are more short and this can benefit those who have a small hand .

If you want a handle " normal " choose the long scale .

You can choose from various models of bridge . Each model is available in more than a material . If you choose a fanned keyboard type, you will need to choose the multi diapason bridge specifically designed for this use                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 .

The arrangement of the tunerson the  front is the more ' traditional and used . We also offer the" slotted "  layuot for aesthetic impact more similar to the classical guitar and a lighter palette 

The material of the nut influence timber and sustain the instrument . You can find a wide selection of all materials more valid .

You have more than 80 styles to choose from . Of course, on request we can customize your neck with graphics of any kind provided by you.

Choose your preferred fret .

the code number refers to the model :
- 6100 Jumbo ( Standard Ibanez ) Great Tapping , Hammer on and pull off
- Jumbo 6105 ( the most widely used model ) Good balance between intonation and playability .
- 6130 Medium Jumbo ( Standard Gibson ) Great Bending .
- 6230 Medium ( Vintage Fender ) Great slide , control and smoothness . Perfect pitch .

The shape of the neck is key to the playability . The measures may vary slightly depending on the radius chosen for the keyboard . Other shape are available on request .

The standard thin is the standard shape that you find today on a standard american strat .

Fat is back bigger and round shape that we often used in the vintage necks.

The Soft v shape is a particular shape popularized by Eric Clapton .



The variable shape is a very complex shape , designed to give a great comfort. The section of the neck varies continuously from the first to the 12 button following the natural movement of the hand  The neck section is not round but asymmetric . This shape is appreciated by those who are very innovative and demanding . Thickness 1st fret 19.7mm - 12th fret 23mm .

The slim c shouldered abbastansta is similar to standard thin but slightly flat in the center . Thickness 1st fret 19.9MM - 12th fret 22.3mm

Choose the bracing style